Collections · 01

Annealed

A Roman 1st century A.D. vitrum centrepiece, and the 18k gold ring built around it.

Roman vitrum held horizontally in a contemporary yellow gold ring
Roman vitrum, 1st century A.D. · 18k gold, made now

The construction

Nothing is added to the vitrum.

The gold holds it, and stops. Three entries go into the record, so that what is ancient and what is ours never blur.

01 · The centrepiece

Roman vitrum

One piece, 1st century A.D. Material, date, measurement, condition and provenance are documented before anything is built around it.

02 · The hold

Two points of gold

Two 18k retainers, one at each end. Nothing across the middle. The vitrum stays visible front and back.

03 · The ring

Built around it

The band is drawn to the chosen piece, not the piece fitted to a band. No two come out the same.

From the drawing board

A setting begins on paper.

Proportion is settled before the vitrum is chosen: where it sits, how far the gold reaches, how much of it is deliberately left uncovered.

Pencil and watercolour process showing a ring sketch, a Roman vitrum and its proposed gold setting
Sketch → the Roman vitrum → the 18k gold setting
  1. i

    The size comes first.

    The measurement arrives with the order, and everything after it follows from that number. Paper stays blank until the hand is known.

  2. ii

    The element is chosen for that hand.

    Each ancient vitrum carries its own dimensions, a millimetre apart from the next. The one that suits the size goes to the bench, so the proportion between the vitrum and the finger it sits on is settled before a line is drawn.

  3. iii

    The drawing is made around the element itself.

    The vitrum is measured and traced at scale: the reach of the two retainers, the height they stand at, the curve where the gold meets the ancient face.

  4. iv

    The gold is raised around it.

    Eighteen carat, worked around the chosen element and closed to the chosen size. Band and vitrum leave the bench as one object.

Chosen for one hand. Drawn for one element. Built once.

Hand wearing the ring, the Roman vitrum and its two gold retainers in view

The original work

Vitrum, a unique piece of Roman jewellery.

It was made to be worn, and it was. It survives with a softened surface, small losses and the weathering of centuries. Those marks are the evidence. They stay in view.

Annealed: cooled slowly in the kiln so that it would not crack. One step, taken by one workshop, two thousand years ago. It is the reason the piece is still here, and it is what this ring is named for.

The wearer

Rome wore its glass on the hand.

A cylinder of this kind reached the hand through the houses that commissioned painted walls, bronze mirrors and caskets of ivory. In the early Empire colour held in glass carried standing, and it was worn where standing is read: on the hand that offers, receives and gestures.

Pencil and watercolour reconstruction of a Roman woman of high standing holding a green glass cylinder ring to lamp light
Plate · The wearer · Rome, 1st century A.D. · pencil and watercolour
Roman glass finger ring of the 1st century A.D. in the Metropolitan Museum of Art
Glass finger ring · Roman, Early Imperial · 1st century A.D. · Glass; drawn, tooled and trailed · The Metropolitan Museum of Art, 17.194.346 · Gift of J. Pierpont Morgan, 1917 · Public Domain

The Metropolitan Museum keeps a Roman glass finger ring of the same century, drawn, tooled and trailed in one operation, catalogued at 2.3 cm across. It entered New York with the Morgan glass in 1917 and it has stood in a vitrine since. The ring built here is the same object with somewhere else to go.

Read the museum record ↗

The 1st century A.D.

The empire changed hands. The furnaces did not.

A 1st century A.D. attribution spans Rome’s first two imperial dynasties. Emperors rose and fell, a civil war ran through a single year, a volcano buried two cities. The workshops kept working.

Julio-Claudian rule

Augustus founded the first imperial house. Claudius began the harbour at Portus, tying imperial power to the sea routes that carried vitrum across the empire.

Four emperors

Galba, Otho, Vitellius and Vespasian followed one another through a single year of civil war.

Flavian rule

The Colosseum opened under Titus. Vesuvius sealed Pompeii and Herculaneum into the archaeological record.

Nerva and Trajan

The Nerva–Antonine sequence opened and carried Rome into the 2nd century.

Yellow-green Roman mould-blown glass cup, first half of the first century A.D.
Cup · Roman, Julio-Claudian · first half of the 1st century A.D. · The Metropolitan Museum of Art, 17.194.225 · Public Domain

A work from the period

The same evidence, in New York.

This cup was blown in a four-part mould during the Julio-Claudian period. Inscription, vine scrolls, columns and fluting came out of a single operation.

The technique appears in the first decades of the 1st century A.D. and crosses the empire within a generation. The Met’s cup is a dated anchor for the century. Our vitrum is dated on its own material, condition and provenance. Never on the museum’s.

Read the museum record ↗

One sea

Everything moved by water.

Roman vitrum belonged to a connected Mediterranean, from the eastern provinces to the western empire. The map gives the century its scale. It does not give this piece a birthplace, and we will not pretend otherwise.

Historical context · 1st century A.D.

Restrained pencil and watercolour map of the Roman Mediterranean
Historical context · attribution remains object-specific

The record

The record separates old from new.

SeriesCollections · 01
NameAnnealed
The centrepieceRoman vitrum · 1st century A.D.
The setting18k yellow gold · made to order
Object typeRing
Price€850

Each one is built around its own vitrum.

The Arrivals

The next object is already being examined.

Pieces are found one at a time, and only the intact ones are catalogued. Subscribers see each arrival first, with its record, its condition and its price.

AnnealedST · 0001 · The Ostia Series
€850Made to order
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